B is for Bard
As in the
bard.
Now old William Shakespeare knew a
thing or two about love, and all other aspects of the human condition, didn't
he? As a teacher, I was frequently asked
by complaining students how the plays and poems of someone writing nearly 400
years ago could possibly be relevant today.
Here's (more or less) what I would tell them. The themes of Shakespeare's plays have made
them endure throughout the centuries. His tragedies deal with issues vitally
relevant to us today; for example: the complexities of love and friendship in
every form, whether between men and women, parents and children, siblings,
colleagues or friends. He delved deeply into human emotions and how these
manifested in a multitude of profound and complex ways, such as jealousy and
deception, possessiveness, pride, anger, foolishness and many, many more. In
all his plays he explored important issues such as loyalty, duty, honour,
marriage, trust, honesty and societal expectations as well as what happens to
the human psyche when these are threatened or undermined. Nuff said?
The title of my first romantic suspense was stolen from
Shakespeare - I hope he wouldn't mind. In Loving Hate is about just that, love
and hatred and the fine line separating both.
The phrase (an oxymoron) came from Romeo and Juliet who, despite their
youth, experienced profound and very real love.
Capturing the intense pleasure and pain of love and
portraying it to the reader differently each time is no easy feat when you are
not Shakespeare but we can only keep on trying in the hope that practice will
make us better, if not perfect. Here is
the moment when Lyssa and Alex from In
Loving Hate stop fighting their desires and follow their hearts:
He reached beyond her to tug at the stiff, old sash and, as
it yielded, his face brushed against her hair and she felt the warmth of his
breath on her ear. She turned, as if
hypnotised, feeling the heat of his body through the thin, silk robe he now
wore. She looked into his eyes and felt
herself drowning in them. Their lips met
but barely made contact, lingering for a moment on that tantalising brink of
uncertainty, until a little gasp of exquisite pain escaped from hers, to be
captured by his, and the union completed.
She wanted him every bit as much as he wanted her.
As his warmth enveloped her, the passion so long quiescent
within her rose and engulfed her until she began to tremble with the
bewildering mixture of quivering fear and intense desire. Her heart quickened and throbbed as powerful
emotions pulsated throughout her body, swamping and crushing her like savage
winter waves, bruising and wounding her with their intensity.
He held her closely, but with such sweet tenderness that her
heart cried out in agony and anguish until it seemed to burst from its tortured
confinement, erupting with a volcanic intensity that made her sob with
longing. She clung to him tightly with a
powerful sense of belonging—no longer as a separate entity, but as a part of
that vital essence within him which needed her as much as she needed him.
His response so matched and harmonised with her emotions
that they seemed to drift together onto a completely separate plane, where
words were redundant and all that mattered was that sense of perfect unity,
that sense that only one force stood there, consoling itself in its own sweet
embrace.
3 comments:
I must read more!
What a lot of people don't realize is that the stories and ideas behind many of Shakespeare's plays were not original at all; he borrowed from the classics that came before him. His work stands the test of time because it's fantastic and beautiful, but also because it stood the test of time before Shakespeare repackaged it himself. To your point, what was true of love and friendship during Shakespeare's time was also true in the centuries before his.
I enjoyed your post. Shakespeare's work was and continues to be fantastic.
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