Fly or Fall by @Gilliallan - My review

I can see from my stats that over 900 of you looked in during the past week, which was given over to celebrating the Accent Press release of Gilli Allan's excellent novel Fly or Fall.  This is one of the best stories I've read in recent months, so here's what I thought of it:

I was delighted to receive a review copy of Fly or Fall, since I have thoroughly enjoyed previous titles from this author, whose writing style is a little reminiscent of the excellent Deborah Moggach.  What an engrossing story this is - Gilli Allan just gets better and better in my opinion.

The story concerns the quiet and self-effacing Eleanor, as she journeys through a traumatic period of her life.  Having become a teenage wife and mother, all she has known is devotion to her own invalid mother, her children and her husband.  Her 13 year old twins sometimes seem to be more worldly-wise than her.  She's suppressed her own needs and desires so completely that she seems almost without personality.  As such, she is quite difficult to relate to intimately and the reader has to get to know her in the same way as the other characters.  Nevertheless, it's impossible to dislike her.  Like all Allan's characters, Eleanor is complex and real.

 

Eleanor's husband, Trevor is a rather devious, self-serving man; I suspected and disliked him from the outset and at no time did he redeem himself.  Yet he was no less real - in fact I felt I knew him all too well!  Having sold Eleanor's family home in Battersea for a substantial price, Trevor moves his

family to the country to enjoy 'clean air, green fields, a house with a proper garden and a driveway'. Trevor selfishly pursues his new career and indulgences, while Eleanor tries to fit in with her sophisticated neighbours and sort out the marathon renovations of the new house.  Enter Patrick, the builder, a likeable rogue, whose constant harmless lies make him enigmatic and fascinating and who extends a warm hand of friendship to Eleanor, helping her through her most difficult times.

The village of Downland is peopled with interesting characters, Katherine, Felicity, Elizabeth and their husbands as well as Patrick and the even more mysterious David, to whom Eleanor is secretly drawn.  But no one in Downland is quite what they seem, as Eleanor has to discover in often painful ways.  This includes her own family and most of all, herself.

 

Ms Allan writes about seemingly ordinary people in ordinary settings, but, of course, neither is ordinary.  The characters are richly drawn in all their complexities, yet grittily realistic and engaging.  The settings are carefully painted with the reverence of an artist who has a deep affinity with the countryside. 

The story is compellingly told with a well-sustained narrative flow.  I found it deeply engrossing and sat up late into the night more than once, unable to put it down.  It gathers momentum, like a snowball rolling downhill, hurtling towards its dramatic conclusion.  I look forward to reading more from this talented writer.  Undoubtedly she deserves all five cute cats!

About Gilli Allan

Gilli Allan started to write in childhood, a hobby only abandoned when real life supplanted the fiction. Gilli didn’t go to Oxford or Cambridge but, after just enough exam passes to squeak in, she attended Croydon Art College.

She didn’t work on any of the broadsheets, in publishing or television. Instead she was a shop assistant, a beauty consultant and a barmaid before landing her dream job as an illustrator in advertising. It was only when she was at home with her young son that Gilli began writing seriously. Her first two novels were quickly published, but when her publisher ceased to trade, Gilli went independent.

Over the years, Gilli has been a school governor, a contributor to local newspapers, and a driving force behind the community shop in her Gloucestershire village.  Still a keen artist, she designs Christmas cards and has begun book illustration. Gilli is particularly delighted to have recently gained a new mainstream publisher - Accent Press. FLY OR FALL is the second book to be published in the three book deal.

Fly or Fall - The Blurb:

Wife and mother, Nell, fears change, but it is forced upon her by her manipulative husband, Trevor. Finding herself in a new world of flirtation and casual infidelity, her principles are undermined and she’s tempted. Should she emulate the behaviour of her new friends or stick with the safe and familiar?

But everything Nell has accepted at face value has a dark side.  Everyone - even her nearest and dearest - has been lying. She’s even deceived herself. The presentiment of disaster, first felt as a tremor at the start of the story, rumbles into a full blown earthquake. When the dust settles, nothing is as it previously seemed. And when an unlikely love blossoms from the wreckage of her life, she believes it is doomed.

The future, for the woman who feared change, is irrevocably altered. But has she been broken, or has she transformed herself?

You can purchase Fly or Fall by clicking here

Or connect with Gilli here: 

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Why I had to Leave Self-Publishing: The Truth About my Affair, by Jan Ruth (@JanRuthAuthor)

Today I'm handing over my blog to an author for whose writing I have nothing but admiration.  If you haven't read any of her books, do so now - you are in for a real treat.  Over to Jan Ruth.

I don’t regret a minute of being with John. Our imaginations have been virtually married for two years now. We’ve shared a lot of words and he knows more about my literary fantasies than my husband ever did. And people talk, don’t they? Not only about how good we were together but how would this relationship end? Would there be tears or jubilations? Well, as is usually the case, a little of both.

So, poised on the brink of something new to begin in 2015, this is an overview of my publishing journey so far, from its shaky start to its exciting, bitter-sweet finish. It’s also a final testimonial to my wonderful editor, John Hudspith.

Snakes and Ladders

My self-publishing journey has been up and down, round the houses and back again. It’s a different experience for each and every author. Any perceived failure or success is dependent on a lot of individual criteria, how you measure it and what you learn from it.

Throw into this mix, hundreds of online experts clamouring for your attention and offering advice – most of it speculative and out of date in less than a week – from how to market your book, how to design its cover, why you need a click-through Contents page, why you don’t need a click-through Contents page and why a dark blue fancy font with pink dots says hysterical, not historical.

Waiting somewhere along the line is a Comma Buff; offering to proofread your material at £1.50 per 1,000 words. For a joining fee you can be a member of his gang, appear on an incredibly popular site or be included in a brand-new advertising strategy called the Pay-it-Forward-Tweet-Team. Not sure? You can bet your last dangling participle that someone, somewhere, has written a blog-post about it. You may be swayed by several writerly pieces about publishing, but I’m not sure I was ever convinced that anyone has that top-secret information about the Amazing-Amazon-Algorithms, or the reason one book sells dozens of copies on every third Friday in October on Nook, but never on Kindle although occasionally on the Spanish version of Scribd, if the wind is blowing from the east. And as soon as you’ve got to grips with those new sub-genre keywords – juggling the dice all the way to IndieBooksIndia – that hot new site –  the goalposts change again, and oops… everyone’s been pirated on IndieBooksIndia. There’s no time to work on your new novel, you need to dash-off an angry email, or two, or three, or four and have a good rant in each and every one of the 42 groups you’re in on Facebook – and a tweet for good measure. Confused and  utterly exhausted yet? Take a deep breath, there’s more…

For varied fees, you can enter your books to win badges: the coveted Golden Cuckoo, a Silver Songbird maybe or – oh, the shame of it – just scraping a Bronze Blackbird. Will it help sales? Will it help readers find you? Writers are always seeking validation, and awards and reviews are a major emotional player in the game. To put these awards and maybe more than that, into some perspective, consider the journey of Book One:

He was born a humble paper copy 15 years ago and adopted by a London agent. He was praised and patted on the head by Pan Macmillan and other notables throughout nursery school. He was a trier, re-inventing himself many times in order to please but eventually, he was declared non-commercial and almost destroyed.

Then King Kindle came to Slush-pile City.

Smoothed out and loaded-up, he became self-published, where he suffered an abused spell as a badly behaved electronic copy, running with the wrong crowd. He was rescued just in time and re-educated in his late teens by John Hudspith. Loved and reviewed positively after this by many readers, he even rode high in the Amazon rankings with BookBub. Despite all of this, he was rejected outright by Blah Blah Award, but he soldiered on. Finally, his fate was sealed, he was signed with Accent Press and the book lived happily ever after. True story.

So, maybe you’d be better investing in 50 reviews? You’ve heard that the magic number is 40 and then huge sales and mass visibility happens of its own accord. Maybe you should give that nice friendly author a five-star review and then maybe… Oh, hold on that’s unethical, isn’t it? Well, yes… to some authors, but not to others. And if I upset said author on a later date with my political views on Facebook, he might change it to a two-star review.

The problem – and rather conversely the joy too – is that there are no rules, but self-publishing is sometimes more difficult to navigate than a re-write of War and Peace. Ask a simple question and you will get fifty different answers.

It’s certainly a game of hissing snakes and slippery ladders.

There is money to be made in self publishing, but not always by the authors. 

Who are you?

Camp One. You write full-length fiction, which can take anything up to 12 months to produce in its polished form. You write because you have something unique to say and hopefully to not only entertain but to inspire and inform. You may have been traditionally published before. You write because you are inspired, and challenged by the craft of writing, and strive to improve and develop. Your only keyword is quality. You struggle to sell, but your reviews are numerous and positive. Your audience tend to be mature and still enjoy paperbacks and bookshops. You might be seeking an editor to work with, who has the skills to teach where necessary, and nurture your positive traits. You dislike self-promotion and trying to run with the crowd. You’ve likely learnt the craft over many years but struggled to get published or agented because your work fell between traditional genres, or didn’t quite cut it. You’d love to attract a publisher.

Camp Two. You enjoy writing but you wouldn’t be doing it if it didn’t pay for itself. You approach self-publishing as a commercial venture. You are prolific, you write popular serials, novellas and novelettes; often across several genres with a specific market in mind, keep up to date with the latest promotional sites, know how to play the system with keywords, and buy all the ‘how to’ books. You tend to make your own book covers, format everything yourself, and your books are available on every obscure platform you can find. You write ‘how to’ books. Your audience are young, read stuff on their iPhones and probably enjoy whatever is current, like American steampunk fantasy, or fetish erotica. It doesn’t bother you that the camp is set on moving sand, you are quick-thinking and adaptable. Your books sell well. You’re not seeking a publisher and you don’t need an editor.

These are wild extremes in self-publishing. Of course, it depends who you are, the adaptability of your camping equipment and how well you can handle a variety of cooking pots and pans when the chips are down, rain is pouring through the canvas roof and wait, there are enemies on the horizon… a huge semi-colon with a machete!

Who is John Hudspith?

If you are poised on the brink of self-publishing your first book, or if you already have a row of these beauties on your virtual shelf but maybe harbour a niggling doubt they could be better… please consider talking to JohnHudspith first and listen to one, clear opinion. If you spend on nothing else or have limited funds available, editing and proofreading is King and Story-is-everything-else. I’ve worked with well established literary agencies and respected agents in my distant past and in my opinion, John’s advice and editing is on a par with London prices, at a fraction of the cost. I could have saved myself heaps of time, dead-ends and cash.

Who am I?

I’m Jan Ruth, I’m a self-published author and I’m in camp one. I’m glad I self-published, although I may not sound as if I enjoyed the experience. Publishing my own work was a steep learning curve but it’s now at an end for me. Visibility is increasingly difficult over in camp one and there’s only so much one can do before some sort of burn-out happens. But one man’s burn-out is another man’s fuel… it rather depends on which camp you thrive in.

I’ve had forays into camp two but without lasting, or consistent success. This is why I have made the decision to leave self-publishing and I’m very happy to announce that I have signed a 5-book deal with Accent Press. After my family, I have to give massive thanks to my editor John Hudspith, because without his support, both professionally and as a friend and mentor, I would not have arrived at this point. I’d have given up, Once Upon a Long Time Ago. So, on to new beginnings for 2015. And keep the camp fires burning.

ABOUT MY BOOKS

Fiction which does not fall neatly into a pigeon hole has always been the most difficult to define. In the old days such books wouldn’t be allowed shelf space if they didn’t slot immediately into a commercial list. Today’s forward-thinking publishers - Accent Press being one of them - are far more savvy.

As an author I have been described as a combination of literary-contemporary-romantic-comedy-rural-realism-family-saga; oh, and with an occasional criminal twist and a lot of the time, written from the male viewpoint.

No question my books are Contemporary and Rural. Family and Realism; these two must surely go hand-in-hand, yes? So, although you’ll discover plenty of escapism, I hope you’ll also be able to relate to my characters as they stumble through a minefield of relationships, family, working, pets, love ...

I hesitate to use the word romance. It’s a misunderstood and mistreated word in the world of fiction and despite the huge part it plays in the market, attracts an element of disdain. If romance says young, fluffy and something to avoid, maybe my novels will change your mind since many of my central characters are in their forties and fifties. Grown-up love is rather different, and this is where I try to bring that sense of realism into play without compromising the escapism.

First book released by Accent Press: SILVER RAIN

Book Description: Black sheep meets good shepherd - can black and white become silver, or just a dangerous grey?

Alastair Black has revealed a secret to his wife in a last ditch attempt to save his marriage. A return to his childhood family home at Chathill Farm is his only respite, although he is far from welcomed back by brother George.

Kate, recently widowed and increasingly put upon by her daughter, sister, and mother, feels her life is over at fifty - until she meets Alastair. He's everything she isn't, but he's a troubled soul with a dark past. When his famous mother leaves an unexpected inheritance, Kate is caught up in the unravelling of his life as Al comes to terms with who he really is.

myBook.to/SilverRain

Hot Off the Press and Highly Recommended - Torn by Gilli Allan (@gilliallan)

It's always thrilling to hear a success story in this business, especially when you know the author to be highly talented and deserving.  I've enjoyed Gilli Allan's books enormously, so was delighted to hear that after some years of being a self-published author, her work was spotted by Accent Press, snapped up and is now being republished.  

The first of these stories is Torn, published this week - and I highly recommend it.  If you like contemporary fiction, with an unconventional and edgy love story at its heart - you'll enjoy it too. 

Here is the blurb:

Jess has made a series of bad life choices and all have let her down.

Escaping London, she sets out to recreate herself in the idyllic countryside, and this time she wants to get it right! 

She wants to lead a responsible, tranquil life with her young son Rory, but soon discovers stresses which pull her in opposing directions – conflict over a new bypass, between friends, and worst of all, between lovers. 

Educated, experienced, and pragmatic, James is a widowed farmer whose opinions differ from, and enrage, Jess. His young shepherd, Danny, is an uneducated and inexperienced idealist. Jess is attracted to them both, and realizes if she wants her idyllic countryside life to survive, she must choose her Mr Right. 

Torn is now available from Amazon by clicking on this link.

Gilli Allan - Then and Now:

Gilli Allan started to write in childhood, a hobby only abandoned when real life supplanted the fiction. Gilli didn’t go to Oxbridge, but after just enough exam passes to squeak in, she attended Croydon Art College. 

She didn’t work on any of the broadsheets, in publishing or television. Instead she was a shop assistant, a beauty consultant and a barmaid before landing her dream job as an illustrator in advertising. It was only when she was at home with her young son that Gilli began writing seriously. She has had three books mainstream published - two further books will be published in 2015. 

Gilli has been a school governor, a contributor to local newspapers, and a driving force behind the community shop in her Gloucestershire village.  Still a keen artist, Gilli designs Christmas cards and produced the illustrations for the children’s book The Tale of King Harald -The Last Viking Adventure, which was published in 2014.