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Showing posts with label Jenny Twist. Show all posts
Showing posts with label Jenny Twist. Show all posts

Tuesday, May 18, 2021

Should Women Rule the World? By Guest Author @JennyTwist1

 

We have virtually no evidence for what human society was like in prehistory. Palaeolithic cave paintings depict animals but very few humans. There are patterns made by human hands and the occasional stick figure but nothing to give us a clear picture of how these societies were arranged.

Did we, for instance, take lifelong partners and live in small family groups? If our nearest relatives, the great apes, are anything to go by, our ancestors most likely had random sex with different partners. Until, that is, human beings made the connection between sex and the creation of new life.

I argued in a previous article (https://manicscribbler.blogspot.com/2017/06/the-earth-mother-rules-guest-author.html) that the earliest societies were not only matrilineal (which makes perfect sense in a society where everybody knows who their mother is and fathers don’t exist) but matriarchal.

It is interesting to speculate what these societies were like and how they compare with the patriarchal societies which followed.

For a start, there seems to have been nothing we would describe as war in the Palaeolithic age. Surely there must have been disagreements and tussles but nothing our ancestors felt worthy of recording in paintings. In fact, we don’t see definite evidence until the late Neolithic, well after the ancient matriarchal societies have been suppressed.

This doesn’t, of course, prove that rule by women is more benign than rule by men. It could be simply that warfare only emerged as the human population increased so much that resources became scarce. That war was, if you like, inevitable, irrespective of the nature of government.

As for women leaders being naturally more nurturing and non-violent we know that this is not universal. Some of the most memorable women rulers were every bit as cruel and despotic as their male counterparts, Catherine the Great, for example, or our own dear Margaret Thatcher, who certainly had no aversion to war.

What we can say, with reasonable confidence, is that war on any significant scale did not exist before patriarchal government became the norm.

The discovery that men had an equal role in the creation of children led to a fundamental change in stone age societies. The only way of ensuring that a man’s woman (or women) only gave birth to his children was to strictly control her sexual activity. Now that women had been stripped of their magic they no longer had the power to resist men’s superior physical strength, and so women, rather than being the magical creators of life, were to become mere vessels for the incubation of the seed of men.

Quite apart from the obvious loss of quality of life that brought, it meant women, far from being the rulers of these societies, no longer even had a voice. Virtually all human societies since the stone age have been ruled by men, for men. The struggle for equality has been going on for thousands of years and is still a long way from reaching its goal.

And today, watching a video of policemen kneeling on a helpless woman, I find myself wondering about the Genesis myth. Poor Adam and Eve in the Garden of Eden, innocent of sin, beguiled by the serpent into eating the forbidden fruit. What was the secret knowledge that was imparted to them? Not, surely, that they were naked and should be ashamed. If God created them naked, what could be shameful about it?

Could it be that the knowledge that caused them to be expelled from Paradise was the understanding of how children were conceived, which passed  the power to men?

 


 

https://www.theguardian.com/artanddesign/2019/dec/12/humans-were-not-centre-stage-ancient-cave-art-painting-lascaux-chauvet-altamira

 About the Author:

Jenny Twist was born in York and brought up in the West Yorkshire mill town of Heckmondwike, the eldest grandchild of a huge extended family.

She left school at fifteen and went to work in an asbestos factory. After working in various jobs, including bacon-packer and escapologist’s assistant (she was The Lovely Tanya), she returned to full-time education and did a BA in history, at Manchester and post-graduate studies at Oxford.

She stayed in Oxford working as a recruitment consultant for many years and it was there that she met and married her husband, Vic.

In 2001 they retired and moved to Southern Spain where they live with their rather eccentric dogs and cat. Besides writing, she enjoys reading, knitting and attempting to do fiendishly difficult logic puzzles.

Since moving to Spain she has written four novels and numerous short stories.

In July 2018 she was awarded the coveted TOP FEMALE AUTHOR award in Fantasy/Horror/Paranormal/Science Fiction by The Authors Show.  

Wednesday, March 3, 2021

Why Can't a Woman be More Like a Man? By Guest Author @JennyTwist1

Welcome back guest author Jenny Twist with another amusing and thoughtful post.  If you enjoy it, why not check out some of her previous essays on this blog, including the ever-popular The Earth Mother Rules!:

Why Can't a Woman be More Like a Man?

By Nik Cyclist from Bangkok, Thailand -
Chaophraya River
 

We were lost in the back streets of Bangkok. The heat   was oppressive, the smell rising from the canals was   overpowering and what little street lighting there was   failed to illuminate more than a small circle around   each lamppost. It was all too easy to imagine sinister   oriental bandits lurking in every alleyway. I was, quite   frankly, terrified. 

 But my husband, supremely confident in his own   navigational skills, consulted his map, with the rather   dubious assistance of the nearest street lamp, then  triumphantly led us to the restaurant.

It beats me how he does it! To me maps bear only a passing resemblance to reality. Indeed, it seems whenever I have to consult one, reality is invariably upside-down or sideways.

My husband, like most men, seems to be constantly aware of where he is in relation to the rest of the world and is able to relate it to a larger picture. I, on the other hand, like most women, am only really aware of my position in familiar places. I know my home, my workplace, where I do the shopping, etc. and am familiar with the routes linking these places, but I have only the haziest idea of how they fit in with the larger reality.

It would appear that the ability to read maps is gender-related. Most men seem to be able to do it without difficulty. Most women prefer to use landmarks.

There are other abilities, too, which seem to me to be gender-related. Men can run fast and efficiently, throw balls straight and hard, park cars in small spaces. Women can multi-task, find things and empathise.

Of course we can all be trained to do any of those things, but it seems to me that there are inherent abilities which are stronger in one sex than the other.

Why should there be these differences and does it matter?

I think the reason for the differences is as old as mankind itself. Primitive man had little choice about division of labour. Since at any given time a significant proportion of the young women in the tribe would be pregnant or nursing, it must have been the men who did most or all of the hunting and it therefore made sense for the women to look after the homestead.

If we look at the skills required for the two tasks, we will see that they are quite different. To hunt effectively, you require a good understanding of a large area of territory and to know where you are within it. The ability to run fast and throw accurately goes without saying. And it is essential to be able to concentrate on the job in hand. The hunter can not afford to be distracted by his surroundings. He has to be able to focus on the job in hand. And he has to keep communication simple and unequivocal. It is essential that every word or hand signal has one meaning and one meaning only. It would be disastrous to interpret ‘Lion behind you!’ as ´Did you remember to bring the lunch?’

To run a homestead effectively, however, requires an entirely different set of skills. It is much more important to know your home area in great detail than it is to have an awareness of the territory around it. Ability to run and throw is of limited value. And, instead of focussing on one thing at a time, it is important to be aware of and controlling several things at once. Even a housewife in very primitive times would have several tasks running simultaneously - preparing food, watching the fire, supervising children, etc. As for communication, straightforward verbal language is fine for adults, but when it comes to dealing with children too young to have developed speech, it is very useful to be able to read their body language in order to understand what they need.

In other words, the human race has spent hundreds of thousands of years developing spatial skills in men and developing empathy in women. It is hardly surprising that these abilities persist in modern society, even though their relative usefulness is now less apparent.

It has, however, left us with a problem of communication between the sexes. Women are so used to reading and interpreting body language that not only do we regularly fail to understand when men miss our signals, but we have developed a whole system of communication which allows us to say one thing whilst meaning another.

Consider, for example, how a woman behaves when she is not feeling very well. She expects people
around her to be aware of this, without her having to spell it out for them. If somebody asks if she is feeling OK, she is very likely to reply, “Yes, I’m fine” leaving it to be understood that she is not fine, but being very brave about it. Another woman will see this immediately and sympathise. A man is very to likely to say, “That’s all right then” and walk out, leaving her frustrated and upset. She may well be left with the feeling that the man is insensitive and/or uncaring.

Although understandable, such a belief is unjust. It is not that men are insensitive or even that they are entirely illiterate in body language. Men can read signals, but they are generally less sure of themselves when it comes to interpreting and responding. The man in the example above is almost certainly aware that there is something wrong, but he has taken her reply to mean ‘I am not fine, but I don’t want to talk about it.’

This lack of communication is not only a shame and a misuse of what, after all, is a very valuable skill, but it can lead to quite dangerous misunderstandings. The propensity of women to say one thing when they mean another surely helps support the belief that when a woman says ‘no’, she means ‘yes’- used as a justification for rape throughout the ages.

Modern society has gone a long way towards dispelling that particular belief, but it has not done much to change the ways of thinking that led to its development in the first place.

I am not suggesting for one moment that either sex should adopt the other’s method of communication. But we could each understand how the other works and perhaps learn to employ a little of the other’s skills.

Empathy is extremely useful for identifying problems, but it is unspecific and open to misinterpretation. So we need verbal language to augment our understanding.

If women want men to respond sympathetically, then we need to be a bit more precise. If, instead of saying ‘Fine’, we said, ‘No, I’m feeling awful and I could do with a hug,’ we would be much more likely to get the right response.

And my advice to the poor Henry Higgins’s of this world, who remain baffled by their inability to understand women, would be - ‘Just give them a hug anyway. Nine times out of ten you’ll be right.’



About the Author:

Jenny Twist was born in York and brought up in the West Yorkshire mill town of Heckmondwike, the eldest grandchild of a huge extended family.

She left school at fifteen and went to work in an asbestos factory. After working in various jobs, including bacon-packer and escapologist’s assistant (she was The Lovely Tanya), she returned to full-time education and did a BA in history, at Manchester and post-graduate studies at Oxford.

She stayed in Oxford working as a recruitment consultant for many years and it was there that she met and married her husband, Vic.

In 2001 they retired and moved to Southern Spain where they live with their rather eccentric dogs and cat. Besides writing, she enjoys reading, knitting and attempting to do fiendishly difficult logic puzzles.

Since moving to Spain she has written four novels and numerous short stories.

In July 2018 she was awarded the coveted TOP FEMALE AUTHOR award in Fantasy/Horror/Paranormal/Science Fiction by The Authors Show.  

Why Can't a Woman be More Like a Man? was first published in An Open Letter to Stephen King and Other Essays (2014).




 


Thursday, February 4, 2021

Get ready for an exciting new release from author Jenny Twist (@JennyTwist1)

I'm always very excited when my favourite UK author Jenny Twist brings out a new novel, as I know I'm in for a great read, and her latest, released this week: The Cottage at the End of the World didn't let me down. I'll tell you what I thought about it in a moment, but first, let me hand you over to the author in person, to answer that all-important question we readers always want to know: "What inspired you to write this story?"

Over to Jenny:

"I was sitting with my two dearest friends, Caroline and Billy, and Caroline remarked on a recent news item about a bacterium scientists had developed in the battle to dispose of  waste. “What if it escaped?” she said.

That was the last time I saw Caroline and Billy in person, before Coronavirus, before lockdown. Before our world narrowed to a small screen.

An awful lot has happened since then, and I have spent much of the intervening time on the internet, like Laura in the story, campaigning for a better world. But in between I researched the implications of Caroline’s chance observation. And they horrified me.

So here goes. A possible answer to Caroline’s question. This might be what would happen if the new enzyme escaped.

When I started writing the story no-one had heard of Coronavirus, but the advent of the pandemic made me realise how much more devastating my imaginary plague would be if it happened at the same time. So I rooted the story firmly against a background of actual events right up to the point where the phones begin to melt.

The rest is entirely my own invention."

Thanks, Jenny.  Now here's what I thought of:

The Cottage at the End of the World - Review

How could anyone not be intrigued by this delightfully ambiguous title?  I certainly couldn’t wait to read my advance review copy and, once I started, I genuinely couldn’t stop.  I have a thing about houses and just can’t resist stories about them.

The story begins in London with the meeting of artist Laura and journalist Gary, who are, quite simply, meant for each other.  Keen to leave London, Gary is easily persuaded to give up his city life and move to Laura’s cottage in Cumbria.

I spent many childhood holidays in the exquisite Lake District so when I read about the cottage, I felt I’d come home.  The beautifully drawn characters, so typical of author Jenny Twist, (and who include two delightful dogs, but most especially the wonderful nonagenarian, Auntie Martha) tugged at my heartstrings.   All the same, a cottage with no electricity, no running water and no bathrooms was not exactly my idea of heaven, so in the story, when old schoolfriend, Malcolm arrived with his partner and began transforming the cottage into a modern but still cosy des res, I actually felt a real sense of relief and my ache to live there intensified.

And live there I did, or so it seemed, as this compelling story drew me in so completely.  When Covid-19 began to spread like, well the plague, I wanted for nothing, being cocooned in cosy domesticity with this colourful cast of characters during lockdown.  And when the outside world as we know it changed forever and the real fight for survival began, The Cottage at the End of the World was the only safe place left in which to live.  

A gripping and deeply thought-provoking story, told by a master story-teller.  Irresistible!


The Cottage at the End of the World - Blurb:

“This is the way the world ends
    Not with a bang but a whimper.”

T S Eliot

The end of civilization is fast approaching, and the family in the remote cottage in the woods is ready. They are prepared for anything that may happen -- except for the one thing that nobody predicted.

         Against the background of the Coronavirus pandemic another, more sinister threat is slowly gripping the world.  Will the people find out before it's too late?

About the Author

Jenny Twist was born in York and brought up in the West Yorkshire mill town of Heckmondwike, the
eldest grandchild of a huge extended family.

She left school at fifteen and went to work in an asbestos factory. After working in various jobs, including bacon-packer and escapologist’s assistant (she was The Lovely Tanya), she returned to full-time education and did a BA in history, at Manchester and post-graduate studies at Oxford.

She stayed in Oxford working as a recruitment consultant for many years and it was there that she met and married her husband, Vic.

In 2001 they retired and moved to Southern Spain where they live with their rather eccentric dogs and cat. Besides writing, she enjoys reading, knitting and attempting to do fiendishly difficult logic puzzles.

Since moving to Spain she has written four novels and numerous short stories.

In July 2018 she was awarded the coveted TOP FEMALE AUTHOR award in Fantasy/Horror/Paranormal/Science Fiction by The Authors Show
..

The Cottage at the End of the World is available from Amazon UK  and Amazon.com 

Price 77p and 99ȼ respectively. 
 
Also available free on Kindle Unlimited

Wednesday, April 3, 2019

Guest Blogger Jenny Twist on Dual Language Publications


It's always a pleasure to welcome my friend Jenny Twist to my blog, and especially so when she has something exciting to share with us all.  So let me hand straight over to Jenny to tell you about her latest publishing venture.

Today I am launching a joint venture with Alicia Pérez Alarza.

It was clear to me when I was learning Spanish that there were very few really good dual language books available. Five years ago a friend of mine complained about the same thing,
I did some research and discovered he was right. Most dual language books available on Amazon are very poor quality, either translated by English speakers who are not bilingual, or are completely inappropriate for those wishing to learn modern Spanish. What is the point, for example, of using Don Quixote as background reading? If you were teaching English to a Spaniard, would you  recommend them to read Chaucer?

And there is another point. Something that infuriated and offended me when I was learning Spanish. The stories they choose are so boring. It upset me to spend good money on boring books.

So I published one of my own. I chose Mantequero because it was short, the title was the same in both languages, and I had already had some interest from a school in California where many of the students were Hispanic.  


I felt it was essential that the translation should be done by a native speaker. Good translations are invariably translated into the translator’s native tongue. However good you are at a foreign language you will never be able to speak it like a native. So I paid for a professional translation.
It worked very well. I know of at least two schools which adopted it but the cost of translation was prohibitive. It was too high to make the book viable commercially.

So I reluctantly abandoned my plan to produce a whole series.

Then something happened. An author friend of mine said he had many of his books translated into
foreign languages using a translation site where you split the royalty with the translator. Sadly, the site only does straight translations, not dual language, but in the course of having translations done (mostly in Portuguese) I came across Alicia and we became friends.

I told her about my dream of producing dual language books and she was very enthusiastic. Our first joint effort is out today as an eBook and will be followed shortly by the print book.

We think we can probably produce a new book every six weeks or so.  Once we have, say, half a dozen we can start seriously marketing them for schools.


If, in the meantime, any of you are learning Spanish, I’d be delighted if you read this and tell me what you think.


Here is the blurb for The Children of Hope:








Click on the book cover or the title to find Mantequero on Amazon
Click on the book cover or the title find The Children of Hope on Amazon

Friday, July 13, 2018

Congratulations @JennyTwist1 - voted 2018 Top Female Author


Regular readers of my blog will know by now how much I admire the stories of my good friend and fellow author, Jenny Twist, so they will understand me wanting to shout out a few words of congratulations to her on her recent success.  In fact, I shouted so loudly, I managed to rouse her from her beautiful idyll in Spain, and persuade her to come and tell us a bit more about her award-winning book, 'All in the Mind'.  

Welcome Jenny, and many congratulations on your win.  Before we talk about the winning novel, do tell us about the competition, how you came to enter it, and your reaction when you heard the news.

My very good friend, Tara FoxHall, did a radio interview for TheAuthors’ Show and told me that as well as doing interviews, they were running a top female authors competition. You couldn’t enter yourself but had to be nominated and it was FREE. So naturally I wrote to all my friends asking if they would be prepared to nominate one of my books. It turned out they all were (I have some lovely friends) and between them they nominated all my books. I also nominated all my own favourite authors.
So I duly filled in all the forms they sent me and then forgot all about it. On Monday morning Tara emailed me to say I’d won. I thought she was joking. I’ve entered so many competitions and never got further than the shortlist before. So thank you so much, Tara.

What a great friend!  All in the Mind is a beautiful story and a worthy winner.  When I read it, I described it as 'a sweet and haunting feel-good story, which will immerse you totally in its fictional world and leave you feeling deeply satisfied'.  Would you like to outline the story in more detail for us.

All in the Mind is the story of Tilly, who wakes up from a dream of her youth, dancing in the street on VE Day, to discover she is in her 80s and has been suffering from Alzheimers. Miraculously a new treatment has restored her memory and she wonders if it can be applied to her beloved husband, Johnny, who has had a stroke. But the treatment has an interesting side effect. Soon she realises she is gradually getting younger.

It's a fascinating idea.  I'd love to know what inspired you to write this.

Years ago I read about an old folks’ home where they did the experiment of making the resident’s environment like that of their youth. I can’t remember where I read this or what they were attempting to achieve but I do remember that one surprising result was that the subjects’ hair darkened.

I’ve had this idea lurking in the back of my mind ever since. What if you carried the experiment to its logical conclusion?
Spookily only the other night I caught the tail end of a ‘Horizon’ programme. They were doing an experiment with old people – surrounding them with things from their youth and treating them as if they were still young. Result, they became fitter, their cognitive ability improved and, to the amazement of the scientists, even their eyesight and hearing improved! Maybe this isn’t science fiction but science fact.


Will you share an excerpt with us?

“What? This weekend?”
They were in the hospital cafeteria; Tilly leading the way, looking for a free table, Johnny following on behind with a tray of tea and cakes.
“I'm being posted next week and I don't know when I'll get another chance.”
Tilly found a table and sat down, placing her bag carefully between her feet.
Johnny placed the tray on the table and sat opposite.
“I'm supposed to be on duty,” she said.
“Supposed?” Johnny began, taking a mouthful of tea. He spluttered, but managed manfully to swallow it.
“For f – heaven's sake,” he exclaimed, suppressing the more robust army oath which had risen to his lips. “What on earth is this?”
Tilly smiled. “The general consensus amongst the staff is that it's the floor sweepings from the tea warehouse, but some of us think it comes from a less salubrious place – a stable, for example. Of course,” she mused, “its unique flavour is enhanced by making it with lukewarm water and leaving it to stand for at least twenty minutes.”
“Jesus,” Johnny muttered under his breath, afraid the other customers might hear him blaspheming, “It's worse than the stuff they give us in the NAAFI.”
“You should try the cakes,” Tilly said sweetly.
Beneath the merry banter, she was in a terrible stew. She was terrified of meeting Johnny's parents. She saw them in her mind's eye – his father, stern and forbidding with a military bearing and mutton chop sideburns, looking, now she came to think of it, very much like Kaiser Bill - his mother very stiff in bombazine, her grey hair piled on top of her head, a lorgnette held before her piercing grey eyes – both of them scrutinizing her with obvious disapproval.
She found herself tracing the rings on the table left by countless tea cups and wondered how long she could postpone the fateful meeting. Her instinct was to put it off as long as possible. There was no way they could possibly find her acceptable. She had been foolish to even consider it. The minute they met it would be all over for her and Johnny. They would put a stop to it and look around for a more suitable daughter-in-law.
“I can't wait to get home and have some real food for a change.”
“What? Tilly said, startled out of her thoughts.
“Real food, you know. Fresh eggs, proper meat, butter.”
She fixed her eyes on his face, searching to see whether he was joking. He wasn't.
“Fresh eggs,” she repeated in reverential tones.
Suddenly they were sitting in a circle of silence. Tilly realised that the customers at the nearby tables were all looking at them with an identical hungry look. She could feel the same expression on her own face. It wasn't that they were starving exactly, the ration was adequate, but that was all it was and everyone craved more interesting food.
“Yeah.” Johnny seemed entirely unaware of the effect he was having. “I can't wait to get my teeth round a nice pork chop or a leg of chicken.”
Tilly felt her mouth water and was afraid she might begin to dribble.
“How come?” she whispered.
Johnny looked startled for a moment. “Well, the farm, you know.”
“I didn't know your parents were farmers,” Tilly said, the image of Kaiser Bill wavering somewhat.
“No, not at all.” Johnny shook his head. “It's just a home farm, you know. Attached to the house. Just for the family. We don't sell the produce or anything.” He hesitated. “Although I expect my mother does swaps and things. She's very good at organising.”
“So what have you got on the farm?” Tilly's mouth was now very dry and she took a long drink of the odious tea. Johnny put out a hand, too late, to stop her.
“Don't drink that! I'm convinced it's poisonous.”

Wonderful stuff, Jenny.  In fact I'm going to re-read All in the Mind immediately.  As always, it's been a real pleasure to host you on my blog, and thank you so much for taking the time to share your great news with us.

Buy Links for 'All in the Mind' 

About the Author:

Jenny Twist was born in York and brought up in the West Yorkshire mill town of Heckmondwike, the eldest grandchild of a huge extended family.

She left school at fifteen and went to work in an asbestos factory. After working in various jobs, including bacon-packer and escapologist’s assistant (she was The Lovely Tanya), she returned to full-time education and did a BA in history, at Manchester and post-graduate studies at Oxford.
She stayed in Oxford working as a recruitment consultant for many years and it was there that she met and married her husband, Vic.
In 2001 they retired and moved to Southern Spain where they live with their rather eccentric dogs  and cat. Besides writing, she enjoys reading, knitting and attempting to do fiendishly difficult logic puzzles.
Jenny's published works include: Take One at Bedtime, Domingo's Angel, All in the Mind, An Open Letter to Stephen King, The Mantequero series, The Owl Goddess, For the Love of a Child, Doppelganger, Flipside, Tales from the Dark Side and Six Tales of Christmas.





Thursday, December 7, 2017

Two Must-Have Short Story Collections from author JennyTwist

Everyone who knows me knows how highly I rate Jenny Twist’s storytelling, so I was delighted to receive two short story collections recently.   These are available for Kindle and in print – and I think would make excellent Christmas gifts for any book lover, young or old. Here are my reviews of them:

Six Tales of Christmas

You can't fault Jenny Twist's writing and this magical Christmas collection is up there with the best of her work. Six festive stories written in Twist’s inimitable style would make a great gift for anyone this Christmastime.

Almost everyone must know or recognise an Elaine and therefore sympathise with everyone in the first tale, especially Uncle Albert, so no prizes for guessing who gets the last laugh in this uplifting story. The short nativity story will bring a smile to everyone’s lips, while I defy you not to shed a tear when you read how and why Jamey must go into battle with an alien. Home for Christmas, Marion and The Magic of Christmas are three unusual stories that will stay with you and make you think long after you’ve finished reading them.

When you read Ms Twist’s stories, you need to keep an open mind, expect the unexpected, and relax in the certain knowledge that you’re always in for a highly enjoyable read.

Tales from the Dark Side

I’ve read one or two of these stories before in different, multiple author anthologies, but since Jenny
Twist’s stories are so eminently re-readable, I was very happy to see them – along with some exciting new ones – put together in this collection.

In Uncle Vernon, we meet the larger than life McCaffrey family, with old Granny McCaffrey living on cornflakes and ham sandwiches (and probably not being able to tell the difference between them), the well-intentioned big Da and his strapping sons and daughters, down to 10 year old Bridget, "tiny and dainty, as if there hadn't been quite enough material left when it came to making the last child and she had to make do with what was left over from her much bigger brothers and sisters", and the one-eyed cat Genghis.

Oh, and let's not forget the eponymous uncle, who inhabits the cellar at Halloween and who, according to Janice McCaffrey is only "half-programmed". It's hardly surprising that Gary's girlfriend, the prim and proper Alison, spends half her time in a daze - and that's not just because she's in love with Gary! No, indeed, Uncle Vernon has much to answer for.

Twist's special magical dolls’ house, in A Victorian Dolls’ House took me straight back to my own childhood and my beloved dolls’ house with its precious inhabitants.  I used to think mine came to life at night as well. This haunting story is one I'm not likely to forget in a hurry. The very chilling The Man with no Face and Catch Me If You Can affected me similarly. They both stirred up old childhood memories and felt very personal to me, becoming stories I know I will want to keep to mull over and re-read. The final story, Turning the Clock Back, is probably the most disturbing, making me think of that old adage ‘be careful what you wish for’, but how can anyone not sympathise with Agnes, the devoted mother?

Jenny Twist’s writing is flawless, often poetic and sometimes prophetic, and it cannot be denied that she is a consummate storyteller. Both these collections offer a sample of some of her best writing, and I highly recommend them.

It's definitely time for me to bring out all five cats for both of them!

Six Tales of Christmas is available from Amazon. Just click: (US)  or (UK)
For Tales from the Dark Side click:  (US) or  (UK)

Wednesday, June 21, 2017

The Earth Mother Rules! Guest Author Post by @JennyTwist1

In the beginning God was . . . a woman. At least according to the great classicist, Robert Graves.
Very little evidence for prehistoric religion has survived into the 21st century. What there is consists mostly of small figurines, assumed to be votive offerings, and of these many are too worn to ascertain the gender, but where we can they are invariably female. Nevertheless, this is hardly enough evidence to be confident that we are interpreting it correctly.
There is, however, another source, as Graves pointed out. There are the myths.

It is unfortunate that in modern usage the word myth has become acquainted with falsehood. In reality it doesn’t mean that at all. Myth is, broadly speaking, the history of the tribe.
Most bodies of myth contain a creation myth, usually wildly imaginative, some rules for living and some explanations for why things are as they are. The rest, as they say, is history.
It is easy to suppose that stories passed down by word of mouth in illiterate societies must inevitably be changed beyond all recognition through a process of ‘Chinese Whispers’. Not so. Illiterate societies have strategies for remembering which we have lost, the main one being to put the story in poetry or song. It is no coincidence that the Greek myths are in rhyme.
There have been many studies demonstrating the effectiveness of this, but one proof familiar to most of us is that of Schliemann's discovery of the ancient site of Troy through following the ‘directions’ in Homer’s Iliad, itself a rendition of an ancient myth.

Graves’ comprehensive study of Greek myth concluded that prehistoric Greek society was not only matrilineal but matriarchal. Helen was abducted not because she was the most beautiful woman in the world, but because she was the queen of Sparta. Paris was attempting to lay claim to her kingdom.
Graves postulated a system where the queen, priestess to the Earth Mother, rules the tribe with her consort, the sacred king. He points out how often in Greek myth the king is killed. He is slain accidently by a discus, he is torn apart by hounds, he throws himself off the cliff, he is murdered by his own son or his wife’s lover. Graves believed this represents an annual ritual sacrifice of the old king and his replacement with a new king, chosen by foot race. This new king undergoes a rite of rebirth, which involves him appearing as if newborn, from under the skirts of the queen. Sometimes the new king is himself responsible for the sacrifice of the old king. Thus Oedipus is the epitome of the sacred king in that he kills his father and marries his mother.
For a demonstration that the sovereignty lies with the queen and not the king, we need only refer to the myth of Odysseus, who returns home after the battle of Troy to find his wife besieged by suitors. If this were a patriarchal society, there is no sensible reason for them to want to marry the queen. We know she and Odysseus have an adult son, Telemachus, who would naturally inherit the throne. In a patriarchal society she would have no wealth of her own, nor would she have much worth as a wife, since she must surely be past child-bearing age. Therefore we must deduce that her value lies in the fact that she is the queen. The next king will not be her son, but her consort.

So here we have a picture of prehistoric Greek society. It is a society ruled by women and presided over by a Goddess, the great Earth Mother. Women make all the decisions. Women perform the magic rites. Women speak to the all-powerful goddess.

So what happened?

The general consensus of opinion is that for thousands of years women were believed to be magical because they brought forth life and nobody knew how they did it! We think that mankind’s discovery that there was a connection between sex and the creation of children (not that obvious when you think about it) changed everything. The knowledge a man was also essential to the creation of a child meant woman was stripped of her magic. It also meant that if a man was to be certain that his children were his own, he had to strictly control his woman’s sexuality. She must be prevented at all costs from having sex with any man but him. And so the subjugation of women began.

The Dorian Greeks ruthlessly suppressed the cult of the Earth Mother, supplanting her with their own Sky gods, the Olympians. They went to such lengths as to make the priestesses wear beards or the new priests wear women’s clothing in an attempt to smooth the transition. The Earth Mother, however, refused to die.
Classicists have pointed out the many similarities between the Sky Goddess Athena and the Earth Mother, most telling being her affinity with snakes. Her cloak has snakes running inside the hem; and she is often depicted holding one of the snakes by the head as she goes into battle. She wears the head of Medusa, the snake-haired Goddess, on her shield, and many of her statues show a snake at her feet or coiled behind her shield. Furthermore, despite Zeus being supposedly Top God, Athena seems to hold far more interest for the myth makers. She has far more interaction with mankind and gives them many of the skills to promote civilisation. She has also taken to herself attributes that rightfully ought to belong to other, male, gods. She is the Goddess of War, despite there already being a God of War, Ares. Indeed, she has taken on so many functions that we would expect to be the province of the Top God that Zeus seems to be reduced to having no special function at all, apart from being able to wield a thunderbolt.
It is not difficult to imagine which deity was most revered by the people.

You could make a case for all the Sky goddesses being one or another aspect of the Mother. Hestia, in particular, Goddess of the Hearth, has many attributes of the Mother; as does Demeter, the giver of corn and presider over the cycle of life and death. But these are all really just aspects of the same goddess. The Earth Mother is often represented in triad – virgin, nymph and crone. Of the six Olympian goddesses, Athena and Artemis are virgins, Demeter and Aphrodite are nymphs and Hera and Hestia are crones.

And there is yet more evidence to link the beliefs of Classical Greece to those of the prehistoric era.
The oracles were the most magical of the human agencies in the classical world, prophesying what was to come and guiding the Greeks in all their affairs. You would imagine the Sky gods would have been keen to wrest control of the oracles from the Earth Mother. Yet the most important oracle, that of Delphi, was not a man, but a woman. The oracle was nominally dedicated to Apollo, but she herself was a woman, and she was called the Pythoness.
It seems the Earth Mother was not entirely dead.

But these days, surely, I hear you say, the Sky gods reign supreme with Jehovah and Allah dominating. Well, on the surface, yes. But you need only scratch the surface to find a different story. I live in Spain, a Catholic country. Ostensibly we believe in God the father; his son, Jesus Christ; and the Holy Ghost (a being of such little substance that I suspect it was invented just as a way of making up the triad). Not a female in sight.
Yet there is a holy figure of far more apparent importance than these. I know of no boys in Spain named Jehovah (although there are a few named Jesús). Yet more than half of the little girls born in Spain are called after the Virgin Mary. If they are not actually called Maria, then by one of her other titles. Dolores, for instance, comes from Nuestra Señora de los Dolores, Our Lady of Sorrows; Carmen is from Nuestra Señora del Carmen; the name of my own friend and neighbour, Reme, is short for Remedios, Our Lady of the Remedies.

It is our tradition to carry holy statues through the streets as part of the celebrations for religious holidays.
Yet Jehovah, the supposed Top God, is noticeable by his absence. I have never seen a statue of him in any Spanish church. What about Jesus, then, so beloved of modern Christian cults? Well, he has a presence, but it is insignificant compared to the omnipresence of Mary. Even at Easter, the most important event of the whole ecclesiastical year, and one which is entirely dedicated to the sacrifice and rebirth of Christ, you would be forgiven for failing to notice Him. Visit any Spanish city during Holy Week and you will see umpteen statues of the Virgin paraded through the streets, with just the occasional statue of Jesus.

It is to Mary that the old ladies pray. They only pay lip service to the Sky God.
They pray to Mary, the Virgin, the Queen of Heaven; Mother Mary, the woman who brought forth a son without the benefit of man; Mary, whose son was sacrificed for the good of mankind and who was reborn as the immortal king. Surely Mary is none other than the Earth Mother, who survives despite thousands of years of suppression.
And perhaps it is no coincidence that the priests of the Christian church still put on women’s clothing to perform their sacred rituals.

The Queen is dead! Long live the Queen!

About Jenny Twist:
Jenny Twist left school at fifteen and went to work in an asbestos factory. After working in various jobs, including bacon-packer and an escapologist’s assistant, she returned to full-time education and did a BA in history at Manchester and post-graduate studies at Oxford.
In 2001 she and her husband moved to Southern Spain where they live with their rather eccentric dog and cat.
Her published novels are Domingo's Angel – a romance set in Spain, Take One At Bedtime – an anthology of short stories, All in the Mind –  about an old woman getting younger and The Owl Goddess – a fantasy/SciFi about how the Greek gods were actually spacemen.